By Tom Quiner
Three children saw something that changed the world. The year was 1917.
It took place in Portugal on May 13th at 5PM. Lucia Santos and her cousins Jacinta and Francisco Marto were stopped in their tracks by the mystical appearance of a beautiful woman.
Here’s how Lucia described the woman:
She was “brighter than the sun, shedding rays of light clearer and stronger than a crystal ball filled with the most sparkling water and pierced by the burning rays of the sun.”
The woman appeared to them again on June 13th. And again on July 13th. Word was getting out about the mysterious woman, and thousands of people began to flock to the area.
The communist authorities attempted to stop all of this nonsense by jailing the children on August 13th. But the Woman appreared to them instead on August 19th upon their release from jail.
The children claimed “the Lady,” as they called her, entrusted them with three secrets. The first involved a vision of Hell. The second gave instructions on how to save people from Hell.
The third remained a secret until the year 2000.
The day was May 13th.
The time was 5PM.
The year was 1981.
Pope John Paul II made his way through St. Peter Square in an open air vehicle. A man approached the pontiff, raised a gun and fired at point blank range.
Five, maybe six shots were heard. The Pope was hit.
His internal injuries were severe. He was bleeding internally. In fact, he lost most of his blood.
He was near death. In fact, he should have died.
But he lived.
It was a miracle he lived. Upon gaining consciousness, the Pope recalled the significance of the date and time, 64 years to the second that the Lady had appreared to those three children in Fatima, Portugal.
And he thought about the significance of the yet unrevealed “3rd secret.” What was the secret? That a “Bishop dressed in white” would be shot and killed.
But John Paul II lived. He credited the Lady with deflecting the bullet just enough to spare his life.
Today is the 36th anniversary of the assassination attempt on Pope John Paul II. I marvel at the events of 1981 and contrast them with the events of 1968.
I was in 9th grade when Martin Luther King was shot and killed in Memphis. And then two short months later, Bobby Kennedy was shot and killed.
It seemed as if our country was falling apart.
In 1981, I was married and just a week away from becoming a father for the first time when a gunman shot President Ronald Reagan.
The President almost died. By all accounts, he should have died. His injuries were grave.
Six weeks later, Pope John Paul II was shot and almost died.
Two men with the potential to change the world were shot and died in 1968.
Two men with the potential to change the world were shot and lived in 1981.
Why did events go so differently in 1981? Was it divine intervention?
Did this mysterious Lady from Fatima somehow intercede in a supernatural way to allow President Reagan and Pope John Paul II to fulfill their destiny, to meet and join forces to defeat communism?
You be the judge.
The Pope was presented with the bullet doctors removed from his body. He held it in his hand, turned it and studied it from every direction.
What did he do with it? He had it mounted in the crown of the statue of the Lady of Fatima, the Blessed Mother of Christ.
The Pope was devoted to the Blessed Mother. He asked for her prayers of intercession daily.
I juxtapose the events of 1917, 1968, and 1981 as one of life’s many mysteries.
By Tom Quiner What a great cast! I am very excited about the potential for THE FIRE AND THE MERCY, The Pentecost Musical with a cast like this: PETER: Jim Harken JESUS: Craig Ferguson MARY: Amy Thornhill-Leonard MARY MAGDALENE: Megan Hartwig STEPHEN: Eric Sharp SANHEDRIN: Jason Kruse ENSEMBLE: Danielle Alphson Mike Arkwright Judy Blessington Barry…
By Tom Quiner Writing the music is the easy part. I wrote THE FIRE AND THE MERCY, The Pentecost Musical in about three months. I was truly on fire. I ran into few roadblocks. It practically wrote itself, which suggests that the Holy Spirit was an active participant in the project. I try to write…
By Tom Quiner The 7th chapter of Acts of the Apostles is a doozy. A young Christian, Stephen, lectures the Jewish power structure on the history of the Jewish faith. As you might suspect, this didn’t go over well with his self-righteous and prideful audience. Who is this young guy, who is promoting a competing…
By Tom Quiner I want you to try to imagine something. Your best friend is in danger. He is being dragged by an angry mob across the busy plaza in the downtown area of your city. Suddenly, one of the mob sees you and shouts, “Look, it’s his friend! Get him!” They begin to rush you. You…
By Tom Quiner Is there an easy way to evangelize our Christian faith? One of the best ways is to simply share our stories of faith. That’s what Jesus did in his straightforward, but rich parables. Sometimes, it is sharing our own, personal story. Sometimes, it is sharing scripture. Here’s another way: reenact scripture in…
Testimonials from past performance.
“The Wedding at Cana is a first class production from start to finish. I enjoyed it so very much that I went for "seconds" and attended it again. I highly recommend it to everyone, as a "must see." BOB WEAST, Professor Emeritus, Drake University
“I just wanted to say thanks so much for putting together a great show! Gabriel and I really enjoyed it, and it was a great gift to the diocese. ADAMA STOREY, MARRIAGE & FAMILY LIFE OFFICE DIRECTOR, DIOCESE OF DES MOINES
“The concert ‘Cana’ was a spiritually uplifting event for all of us. The reviews were raves. Thanks for answering God’s call to use the arts to proclaim the Splendor of Truth. MONSIGNOR FRANK CHIODO
"The show was lively, very expressive cast. Beautiful music. Fabulous voices … and a great experience of faith. The dinner really dressed up the evening & enhanced the role of the audience." FRANCIS J. COLELLA
"What a powerful production. I had no idea that I was in for such a professional evening of entertainment. I had no idea how touching it would be to see this story performed." ANN & JOE JEFFRIES
"We were privileged at St. Francis of Assisi Parish to host the premier performance of “The Wedding at Cana.” The staging was a unique and fresh perspective on Jesus’ first miracle. The mixture of song and Scripture was reminiscent of the way Scripture would have been presented by wandering troubadours to excite people and encourage them to believe the Gospel. This presentation of the Wedding at Cana successfully married the Gospel and entertainment. We were pleased to host this performance." FR. RAY McHENRY
"What an incredibly talented group of vocalists!" SUE PONDER
"Really, really impressive & well done! Professional throughout. The cast was enthusiastic and so good. I did not know there was a group of Catholics doing this and encourage you to continue." JOE GRAZIANO
"It was done beautifully. Mary was so beautiful! Singing was impressive!" GARY & BERNICE DALBEY
"A wonderful expression of Christ's first miracle. Wonderful voices with so much power. It was the Bible set to music by great voices." DARLENE TURSI
"Our parish came together for food fellowship and a live meditation on the gospel narrative of the wedding feast at Cana. It was prayerful as well as entertaining. We enjoyed the music as well as the narrative. It was as though we were having a group Ignatian meditation in which we were ourselves involved with Jesus and Mary at the wedding feast. It brings the gospel alive. In a way it was unforgettable since I could never again read that passage without thinking of the enactment of the passage in our hall, a great moment to evangelize ourselves as well as visitors. Well-supported by the parish, in fact we packed our parish hall. A great beginning for the Lenten season." MONSIGNOR FRANK BOGNANNO